{"id":7987,"date":"2013-07-31T12:00:02","date_gmt":"2013-07-31T10:00:02","guid":{"rendered":"http:\/\/arquitecturadegalicia.eu\/blog\/?p=7987"},"modified":"2013-07-29T11:42:26","modified_gmt":"2013-07-29T09:42:26","slug":"complexo-polideportivo-da-cachada","status":"publish","type":"post","link":"https:\/\/arquitecturadegalicia.eu\/blog\/complexo-polideportivo-da-cachada\/","title":{"rendered":"Complexo Polideportivo da Cachada"},"content":{"rendered":"<h6 style=\"text-align: right;\"><span style=\"color: #999999;\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-full wp-image-7989\" alt=\"polideportivo_boiro_cano_lasso\" src=\"http:\/\/arquitecturadegalicia.eu\/blog\/wp-content\/uploads\/2013\/07\/polideportivo_boiro_cano_lasso.jpg\" width=\"620\" height=\"395\" srcset=\"https:\/\/arquitecturadegalicia.eu\/blog\/wp-content\/uploads\/2013\/07\/polideportivo_boiro_cano_lasso.jpg 620w, https:\/\/arquitecturadegalicia.eu\/blog\/wp-content\/uploads\/2013\/07\/polideportivo_boiro_cano_lasso-300x191.jpg 300w\" sizes=\"(max-width: 620px) 100vw, 620px\" \/><br \/>\n<\/span>Manuel G Vicente<span style=\"color: #999999;\"><br \/>\n<\/span><\/h6>\n<table class=\"aligncenter\" width=\"620\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"180\"><strong>Obra:<\/strong><\/td>\n<td>Complexo Polideportivo da Cachada<\/td>\n<\/tr>\n<tr>\n<td><strong>Arquitecto:<\/strong><\/td>\n<td>Estudio Cano Lasso<\/td>\n<\/tr>\n<tr>\n<td><strong>Provincia:<\/strong><\/td>\n<td>A Coru\u00f1a<\/td>\n<\/tr>\n<tr>\n<td><strong>Localidade:<\/strong><\/td>\n<td>\n<p lang=\"es\">Boiro<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td><strong>Ano:<\/strong><\/td>\n<td>1998 &#8211; 2001<\/td>\n<\/tr>\n<tr>\n<td><strong>Xeolocalizaci\u00f3n:<\/strong><\/td>\n<td><a href=\"https:\/\/maps.google.es\/maps\/ms?ie=UTF8&amp;t=h&amp;source=embed&amp;hl=es&amp;oe=UTF8&amp;msa=0&amp;msid=205584753861089304839.0004b3590a9baff01c53d&amp;start=400&amp;num=200&amp;ll=42.645205,-8.885043&amp;spn=0.002383,0.004823&amp;z=18&amp;vpsrc=6&amp;iwloc=0004e219e4dd5532a08c7\" target=\"_blank\"><strong> 42.644,-8.885<\/strong><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\" aligncenter\" width=\"620\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td colspan=\"3\"><strong>Outros Datos:<\/strong><\/td>\n<\/tr>\n<tr>\n<td width=\"20\"><\/td>\n<td colspan=\"2\"><strong>Premios:<\/strong><\/td>\n<\/tr>\n<tr>\n<td width=\"20\"><\/td>\n<td width=\"20\"><\/td>\n<td width=\"580\">Seleccionada VII bienal espa\u00f1ola arquitectura | 2003<br \/>\nFinalista Premios FAD | 2002<\/td>\n<\/tr>\n<tr>\n<td width=\"20\"><\/td>\n<td colspan=\"2\"><strong>Publicaci\u00f3ns:<\/strong><\/td>\n<\/tr>\n<tr>\n<td width=\"20\"><\/td>\n<td width=\"20\"><\/td>\n<td><em><\/em>Arquitectura Ib\u00e9rica | N\u00ba3 | 2004<br \/>\nArquitectos. CSCAE | Bienal 2003<br \/>\nON234 | 2002<\/td>\n<\/tr>\n<tr>\n<td width=\"20\"><\/td>\n<td colspan=\"2\"><strong>Informaci\u00f3n na rede:<\/strong><\/td>\n<\/tr>\n<tr>\n<td width=\"20\"><\/td>\n<td width=\"20\"><\/td>\n<td><a href=\"http:\/\/www.canolasso.com\/canolasso.html\" target=\"_blank\"><strong>canolasso.com<\/strong><\/a><\/td>\n<\/tr>\n<tr>\n<td width=\"20\"><\/td>\n<td colspan=\"2\"><strong>Descripci\u00f3n do proxecto:<\/strong><\/td>\n<\/tr>\n<tr>\n<td width=\"20\"><\/td>\n<td width=\"20\"><\/td>\n<td style=\"text-align: justify;\">\n<p id=\"yui_3_7_3_3_1374502774595_1046\">\u00abCreo que la arquitectura poco, o nada tiene que ver con la invenci\u00f3n de formas interesantes,<br \/>\nsiempre es objetiva, y es la expresi\u00f3n de su estructura interna &#8230;<br \/>\nla forma bella se nos dar\u00e1 por a\u00f1adidura\u00bb (Mies Van der Rohe, La claridad como objeto)<\/p>\n<p>Las ideas surgen de la aproximaci\u00f3n al lugar. Nos preocupa la escala. Nos interesa el valor ambiental del entorno.<br \/>\nQueremos intervenir para subrayar las l\u00edneas de fuerza del lugar, las l\u00edneas del paisaje.<br \/>\nSobre la \u201cl\u00ednea\u201d, los acentos, la geometr\u00eda del hombre, que a trav\u00e9s de sus relaciones y sus distancias generan una nueva interpretaci\u00f3n del lugar.<br \/>\nSurgen vol\u00famenes n\u00edtidos y tensos, de envolventes ligeras con distintas propiedades reflectantes; vidrios y aceros&#8230; transparencia y opacidad. Una arquitectura dispuesta sobre el paisaje, variando con las distintas luces de los d\u00edas: manifestando sus afiladas aristas, recortadas contra el cielo, y sus planos de intensos brillos y matices, o desmaterializando sus bordes los d\u00edas nublados hasta fundirse en veladuras con la densidad.<br \/>\nEl paisaje queda atrapado en el interior. Entre el interior y el exterior una fluida transparencia de filtros y veladuras\u00bb Estudio Cano Lasso<\/td>\n<\/tr>\n<tr>\n<td width=\"20\"><\/td>\n<td colspan=\"2\"><b>Reportaxe fotogr\u00e1fica: <\/b><\/td>\n<\/tr>\n<tr>\n<td width=\"20\"><\/td>\n<td colspan=\"2\"><\/td>\n<\/tr>\n<tr>\n<td width=\"20\"><\/td>\n<td colspan=\"2\"><strong>Planos:<\/strong><\/td>\n<\/tr>\n<tr>\n<td width=\"20\"><\/td>\n<td colspan=\"2\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><!--[if gte mso 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